American Sabbatical 043: 10/31/96
North Beach & The Rock
			
			
10/31.. North Beach 
		
		The sun actually decided to shine on the last day of October. Happy Halloween. And Berkeley is
		the perfect town to celebrate all hallows in. Everyone looks like
		a storybook character. We put our backsides to the sterility of
		Pinole, with its blowdryed jr. execs in the Starbucks drivethru,
		jammed with the endless rush-hour over to Berkeley, and went upslope
		to the University. North, west, and south of the big campus there
		are street scenes: outdoor cafes, huddles of homeless, drum circles
		of teens living rough, and folks from every color of the rainbow.
		Beret-topped beats on bikes, with goatees.. honest. Professors
		in profundo tweedo, braless babes, twenty-year-old skateboarders,
		purple turbans, golden saris, earnest bumperstickers, esoteric
		bookstores, decorative self-mutilation and other sophisticated
		college things. We rubbernecked until our heads spun, then twanged
		up to our meet.
		
		This was another venture in personal history for Peggy. Her brothers
		lifelong best friend. They traded tales until the air was thick
		with mist. Its fascinating how others memories of your childhood
		open doors to recollection, or knock your own recall into a cocked
		hat. The idea there is ONE history wont stand up to a conversation
		with your big brothers friends.

			Across the Bay Bridge
When Danny had to meet with a patient, we aimed the Owl west again,
		across the bay into dreamland, San Francisco. Jim Torbert, one
		of our cyber companions on the E-train, had connected us with
		John and Kina, his old Peace Corps friends from the 60s, and they'd
		invited us to stay in their house in North Beach. Right in the
		heart of the beast.
		
		I'd followed this idea with considerable trepidation. I'd felt
		my tendons tighten as we approached megalopolis from the north.
		The freeway jangle and the zoo-scene at UC Berkeley hadnt reassured
		me a bit. Coming into a big city spooks the countryman in me,
		bad. Parking Red Owl on the street, on Halloween? OOhoo.
		
		But San Francisco steals your heart instantaneously. One minute
		you are jostling with machinery across miles of arched engineering,
		next minute you are joyriding around in makebelieve. Its improbable
		that people drive and park on 45 degree slopes. Its impossible
		that so many charming townhouses can be stacked so high in one
		place. Blossoming bay windows, dazzling bright colors, and the
		patterned multiplicity of little houses climbing atop each other.
		Up close to heaven this IS the most beautiful city in America.
		Of course the sun had been shining all day.
				
			
					 
			Our hosts live at the end of a blind alley, one block uphill from
					City Lights Bookstore, Ferlinghettis roost, two blocks from Chinatown,
					three blocks from everything. Climb up to the third story livingspace
					and you have a view to live for. Coit Tower atop Telegraph Hill
					to your right, the Golden Gate behind Fishermans Wharf to your
					left. Mount Tam straight ahead. Go back out the front door and
					the TransAmerica Tower is down the alley, the rest of downtown
					at your feet. All it lacks is parking. 
					
					 
				
						North Beach View 
					
Ah, parking. The shade-building mechanic who works on Vallejo advised us to strip the Owl bare, feathers and all. "Theyll break in for anything they think will sell on the street." So we back up the alley and unload into Johns basement. Feels weird to turn a faithful traveling companion back into the barehulk of a vehicle, and cut her wheels hard to the curb on Vallejo. We are going to have to play wipe-the-chalk-mark with the traffic police or pay the city for parking. And we make a deal with the streetman to keep an eye on it. So there she sleeps while we do the town.
			
		
				 
		
				 
				
					Coit Tower 
				We hit the pavement around mid-aft and huffed up to the top of
				Telegraph Hill for a wideangle rotation of Baghdad by the bay.
				Every corner you turn offers scenes of urban hideaways, private
				niches, neighborhood pleasantries. You can easily imagine yourself
				slipping into this burg like a hot bath. San Franciscans are marvelously
				houseproud, and every private domicile is brightly painted, potted,
				and pruned. It's worth climbing ladders to reach such heights.
				Dark evergreens follow you up to Coit Tower and arch up beyond
				you. 
			
Then we clambered down to the waterfront and Via Tourissima. The old fishdocks have long since given way to tourist traps, from lowend honks to elegant tonks. Well, if casually, dressed visitors pointing camcorders, milled among the vendors purveying souvenirs. Isnt it peculiar that we need to bring back trophies or our travels are unrealized? Whatll it be, mother? One-a-them Alcatraz shirts, or a sea lion mug? Bemused by the shopaholia, we strolled down Pier 39 with its two-story alleyway of redwood storefronts. Rounding the far end we were met by the bellowing music of sea lions. A dozen moored swimfloats fill a corner of the enclosed boat basin, and 60 -70 barking beasts were hauled out sunning, stretching, or squabbling. Young Turks taunting old bulls, smallfry trying to make the leap onto the floats.. a whole circus. Lined up along the pierhead was a twolegged circus gawping and clicking instamatically. Peggy, as usual, was entranced, and I had to finally lead her away by the arm, glassyeyed, mumbling urf?....urf?
				
			
					 
			I pointed the passive sea beast landward, through street mimes,
					trumpet soloists, bungey jumps, kitsch hawkers, and kodak stands.
					The best novelty we saw was a play-with-yourself tennis rig: a
					sandbag connected to a tennis ball on a long elastic band, the
					peddler thwocking it past tourist heads. 
					
					 
				
						URF URF 
					
Upstreet from the embarcadero we were back in residential Frisco, all terracotta and faded pastels. A few blocks more plunged us into the dizzy jangle of North Beach. Italian markets hardby Chinese delis, bike messengers dodging accordion busses, cafe tables spilling into the mill of foot-traffic. A gaudy gabble of signs, Chinese and English and Chinglish, climbing the walls along Columbus and the other arteries, make them look like nineteenth century photos, until you notice the microbusses. Heads full of hydrocarbons and hubbub we turned up Vallejo to dine with new friends.
				
			
					 
			
					 
					
						Golden Gate 
					John and Kina are graphic designers riding the leading edge of
					the cyberwave. They created and produced a mag called GRAPHICS:
					ON-LINE for some years, and the ground floor of their duplex up
					the alley is an image-stuffed Macinshop webnode. The sense of
					being near an epicenter vibrates strongly here. 
				
We proposed going out for Chinese, and our hosts took us to a hot spot around the corner from City Lights. On the way we stuck our heads into The Stinking Rose, just for a blast of GARLICK. On the sidewalk in front of the Chinese holeinthewall we were marshaled into cuing clots of hungry diners, then herded into the most basic of possible bistros. Every possible inch was in use and we were shoehorned into a corner elbow-to-elbow. Our unsmiling waitress didnt waste a breath. How many dishes? Three? OK. One this, one that.. the squid? How many tea? And the food came fast and furious. It was fantastic. You can shove me around like this anytime. And cheap! Pleasantly plumped we ambled about briefly, hearing local tales, then tottered up the incline, and to bed.
			
			
(Memo #38)
				
			
					 
			Nov. 1 - ALCATRAZ  
					
					
					Who? most violent prisoners
					
					What? maximum security prison, now a tourist attraction
					
					Where? middle of San Francisco Bay
					
					When? prison 1909 -1962
					
					How? ferry ride from San Francisco 
					
					Topics: prisons, social control, crime & punishment, rehabilitation,
					recidivism
					
					Questions: What was it like to be a prisoner at Alcatraz? How
					can we control or change or confine people who refuse to live
					by societys rules? What is prison supposed to accomplish? Can
					you rehabilitate criminals? Is criminal behavior a result of genetic
					disposition or environment and upbringing (nature or nurture)?
					 
				
						Cells 
					
Alcatraz. The rock. The Bird Man. Inescapable island. Whirling currents. A stony outcropping in the middle of San Francisco Bay surrounded by legends. The small island is located to the north of San Francisco, a couple of miles out, in the middle of the bay as it opens out from the Golden Gate.
				
			
					 
			
					 
					
						The Rock 
					Its an odd concept to tour a prison. Alcatraz is a major tourist
					attraction. Seeing it involves a long wait, then a ferry ride,
					then a hike up a steep roadway in the company of a crowd of German
					and Japanese and French and Swedish tourists all with cameras.
					Then youre in one of Americas most famous prisons. You get a
					headset and set off on a self-tour. The tour takes you throughout
					the major cell building with stops at a number of places to tell
					you facts and stories about Alcatraz. You hear the voices of former
					inmates and guards, you hear of riots and escapes. 
				
					
It is a cold, bleak place of rock and metal and bars. The buildings are all beige or gray outside, gray or light green inside. Long corridors, clanging doors, high ceilings. Cement, stone, steel. Nothing softens the institutional architecture. There was no attempt to provide ease or beauty (ironically, the largest cells are in the isolation block). The exercise yard is a bare rectangle with little grass and no plantings. Signs were still posted everywhere with rules and procedures. They have not prettified Alcatraz for tourists, the paint is peeling, the floors are worn. Most of the cells are empty and you can walk in and out of them.
				
			
					 
			The main building is three stories tall, open corridors all the
					way up, with three tiers (floors) of cells. There are walkways
					on each level in front of the cells. At the end of the blocks
					is the area patrolled by guards, barred off from the rest of the
					building but with a clear view of all cell blocks.The front of
					the cells are bars. The inmates had no visual privacy. The cells
					are about six by ten with an iron cot attached to the wall, a
					small fold-down table and seat, two shelves high on the wall,
					a sink and a toilet. Cold, functional, bleak.  
					
					 
				
						Main Building in Background 
					
I expected a prison with its reputation to have been inhabited
		since early Californian settlement. In fact, Alcatraz became a
		prison in 1909 and was a military prison from 1909 -1934. It was
		a federal prison only from 1934 to 1962, when it closed. Alcatraz
		was a special prison, a place where men who had been violent or
		difficult in other prisons were sent, a superprison for hard types.
		It was never fully occupied. The island was considered secure
		since the bays current are dangerous and the water is cold. 
		
		Alcatraz location was ironic. Men incarcerated for bloody crimes
		had gorgeous views. While prisons in the desert are societies
		unto themselves, Alcatraz had the San Francisco skyline and the
		sounds of a city and bustling port to remind the men of what they
		were missing. One inmate said that they could ALWAYS hear the
		crowd sounds from San Francisco on New Years Eve. As he put it,
		you could hear the life you were missing.
				
			
					 
			
					 
					
						Typical Cell 
					There were four main corridors between the three-story blocks
					of cells (A, B, C, D). They had the cells of famous prisoners
					marked (Al Capone, Machine Gun Kelly, the Birdman). One inmate
					drew and painted and his work is displayed in his cell. The corridors
					were named for streets, Broadway and Michigan Avenue were the
					two main corridors. Cell Block A (the oldest) was only used for
					storage and for typing places for the men. Block D was the solitary
					confinement corridor where prisoner spent 24 hour a day in their
					cells (a prison within a superprison which again starts you thinking
					about what a prison is supposed to accomplish and what you do
					when a prisoner in a superprison wont behave). At one end of
					the cell block were small glass windows where prisoners could
					see their visitors. There was no physical contact and no privacy.
					You talked through a microphone. Off the main cell block there
					was the barbershop, the cafeteria, the hospital, and the library. 
				
In the cafeteria you were told to look for canisters on the ceilings
		which contained gas to quell potential riots. The narrator noted
		that it was dangerous to have supercriminals all together for
		meals (did they ever consider feeding all the prisoners in their
		cells?) You were told of one occasion when tables were overturned
		and the guards ready for a riot that didnt happen. The kitchen
		area was at one end, separated by bars. They took great care to
		keep track of knives. Each kitchen knife had its appointed place
		on the wall, outlined in paint so its absence would be immediately
		noticed. 
		
		The library was a large room with high ceiling separated from
		the cell blocks by a barred wall. Ordinary prisoners were not
		allowed in; books and magazines (highly censored) were delivered
		to the cells by special prisoner-aides who had earned the position.
		The most deadly Alcatraz riot (in which some guards and inmates
		were killed) was organized with the help of a library aide who
		carried messages and plans around as he distributed reading matter.
		
		
		The riot took place in May 1946. Prisoners had noted the one time
		in the day when only two guards were in the cell blocks. They
		figured out how to overpower the guards in the cell block. One
		prisoner had manufactured a bar spreader which was used to get
		to the guard on the catwalk. As other guards came on duty, they
		were taken hostage. The key to the exercise yard (the planned
		escape route) couldnt be found. The plotters were trapped in
		the main cellblock by the attacking marines. 9 prison officers
		were shot by the prisoners. We saw the holes in the ceiling in
		one area where explosives were dropped on the fortified plotters.
		All but one were killed.
				
			
					 
			The tape described the only successful escape from Alcatraz. Three
					inmates supposedly used spoons to widen the openings from their
					cells to the ventilation shaft. They left fake heads and stuffed
					"bodies" under their covers in their cells (which we saw - amazing!).
					No trace of them was ever found. A movie on the incident assumes
					they escaped rather than drowned.  
					
					 
				
						Dummy 
					
The philosophy behind prisons has changed over the years. If the aim of prison is punishment and retribution, then there is no need for frills or comforts. Prisoners are paying dues to society. If the aim is rehabilitation and change, how is this to be accomplished? Education? Can criminals be changed, and how? Is criminal behavior genetically based, or caused by abuse or other environmental forces? Do prisoners lose their civil rights in prison? Alcatraz raises many questions. A sobering tour.
		
		
11/1.. Alcatraz.
		
		Our San Francisco morning dawned bright and clear. A rare gift. Last evening the purple
		mountains had faded, with a dreamscape of piggyback townhouses
		glittered in the foreground. This morning the towers of Peter,
		Paul and Coit glowed golden against the bay, and the bright jumble
		of house colors smiled up at us. Paris may be called the City
		of Light, but San Francisco shines on her hills like a forerunner
		of paradise. When it doesnt fog.
		
		No fog today, and we skipped down to the waterfront to catch the
		early boat to Alcatraz. Onroute we skirted a park full of elderly
		Chinese, silently stretching in unison to a stretchmaster. A figure
		study with a cast of 70. I felt my back straighten, and breaths
		go deeper. Imagine living in a place where you can go stand on
		one leg in the AM with all your neighbors.

Alcatraz? you might ask. Well, Peggy has been disappointed in
		the student response to her messages, and here was a hook which
		might bait a few. Those who say school is like prison, maybe.
		Besides, the thought of a prison as a National Park is irresistible,
		and a boatride on the bay not to sniff at either. But we werent
		early enough for the first trip, already booked solid by eager
		incarcerees. So we bought tix for #2 and went to commune with
		the sea lions again. You can actually see Peggys neck grow and
		her feet broaden as she urfs along with these clowns.
		
		When our time came, we found ourselves in a hundred-yard line
		of tourists shuffling along in lockstep to be jammed nikon-to-nikon
		onboard the BAY PRINCESS. SRO for the rock. No loudspeaker rap,
		no fingers pointing toward the oil spill just west of the slip,
		no amenities. Youre on your way to prison, son, this is a hardtime
		tour.
		
		From across the bay on Telegraph Hill, Alcatraz is a romantic
		cluster of buildings capped with a skinny lighthouse on a steep
		bright-beige rock. Up close it is a foreboding ruin of grim cement
		structures rising like a rotten tooth from the placid waters (at
		least placid today). Our nofrills ferry squeezed us out like toothpaste
		onto the sloping rampway, under the foot of the prison walls,
		and we shuffled uphill into History.
Wed paid for the self-guided tape tour, and its worth the nick. Everyone under phones has that glazed audiophonic look, and we inchwormed along from site to site with our heads full of hardcase clamor, all vaguely alienated, each in our isolated world.
				
			
					 
			Its surprising how small this prison actually is. Although able
					to house 300 some prisoners, it never caged more than 200, with
					a guard for every three cons. And the three-tiered cellblocks
					are the exact prototype of all those B movies you saw, only without
					the shiny metal. Everything is worn, chipped, shabby, and encrusted
					with institutional paint. And the din and stench must have been
					astonishing. With braided lines of muttering tourists the noise
					was bad enough. The experience was wonderfully oppressive, especially
					backing into a solitary confinement cell or peeping though the
					tiny begrimed windows at the sparkling city across the water. 
					
					
					 
				
						Prisoner 
					
We were glad to be short-timers. Two hours on Alcatraz is enough
		to convince you that institutional retribution is not the highwater
		mark of civilization. What if all our prisons were to become tourist
		attractions? Mementos of a barbaric age long past? Dream on.
		
		We reentered contemp reality at the barking dock and hoofed overhill
		for Vallejo and the Moscone Center beyond. We were going to risk
		another museum despite our lingering case of museumitis. The new
		Museum of Modern Art came highly recommended, along with the architectural
		delights of the Yerba Buena gardens at the center, so we traipsed
		downgrade for the financial district and the core of the fruit.
		
		Mr. Natural, Flakey Foont, and that crowd must have learned to
		walk in this town. You find your backs arched at funny angles
		with your feet flapping ahead. Its also a hoot to be looking
		down into staid business country from makeadeal sidestreets with
		girlyshows sexsexsexing all day. Going upscale downhill, we leveled
		out beneath the bankers towers, where the girls had all their
		clothes on, and the men were in pinstripe. Although all citycenters
		have that concrete canyon ambiance, this town doesnt feel as
		buttoned-down or knotted tight. And the air is scrubbed with salt.
		
		I cant sing about the skyscrapers in a town with glorious hills.
		The TransAmerica has a nifty sweeping lift, and the blueglass
		music atop the Moscone Center buildings is fun, but the skydancing
		townhouses steal the show.
		
		Inside the museum I was overcome with another episode of hohum.
		Computer graphics, slickprint adverts, highway engineering, the
		whole of contemporary reality has pushed so far beyond the classics
		of modern art as to make them irrelevant. Sorry, Pablo, give me
		a hawk on the wing. This philistinism will pass, no doubt, but
		I best be kept away from the august shrines of ART for a while,
		or Ill be tossing paper planes off the upper balconies.. and
		OMYGOD I almost leaned against an ARTWALL. Thought it was just
		designer deco in dull crayons. Take me away, officer. We cooled
		ourselves in the gardens, sampled the municipal waters, and found
		it good.
		
		With luck we figured out the bus route to North Beach and sardined
		in with the schoolkids and Friday rushers headed home. Witnessed
		an urban drama when a shabby drunken old black man threw his arm
		around a young wide-eyed white woman dressed for the office. A
		muscular black with his ears full of jewelry called him off, saying,
		Hey, dont you be messing with my wife, winking at her. The
		protector proceeded to take responsibility for jollying the drunk
		for the rest of our time on the bus, and we got to inhale the
		poetry of maudlin stupefaction and street-talk up Columbus.
		
		A couple of footweary wanderers were glad to accept John and Kina's
		invite for pasta at home, and we enjoyed an evening of lies and
		laughter with friends of theirs, an Industrial Designer and a
		Waldorf School teacher, along with Caitin, the resident teenager.
		Perched on their hill, it felt very much like being at a cultural
		crossroads. A fellow could get to liking a city when its all
		at your feet.